District 14, Season 2

When I reviewed the first season of District 14 back in February, I heaped a lot of praise upon it. I loved the world that writer Pierre Gabus and artist Romuald Reutimann had created and the rich cast of characters they populated it with. As such, I was of course eager to read the second season of the comic, to see if it would live up to the standards set by its predecessor.
For those of you who haven't read my review of season 1, a brief introduction might be necessary: District 14 (original title: Cité 14) is a French comic which takes place in the eponymous district; a place populated by regular humans, anthropomorphic animals, aliens and even a superhero. The first season introduced us to this setting through the eyes of newly arrived immigrant, Michael Elizondo, a pachyderm who had left his homeland, due to circumstances which were revealed at the end of the season. Upon his arrival in District 14, Michael almost immediately ended up saving the life of journalistic beaver, Hector McKeagh, leading to the two striking a partnership, working as investigative reporters for one of the district's newspapers.


Season 2 begins where its predecessor ended; Michael's sickness has deformed him and causing him to grow increasingly violent. He has fallen into the thrall of a father-son team of monkeys, who knows about his past and forces him to steal for them in order to receive the leaves that can be used to slow down the progress of the sickness. At the same time, Hector, sets out to make peace with his past; first by investigating the rumors of contaminated water in the Covington Neighborhood, the part of the district where most of its alien inhabitants live, and second of all to spring Cloxm, one of the aliens' political leaders and the person Hector's dead wife, Belinda, left him for, out of prison.

As was the case with the first season, season 2 of District 14 sees Gabus juggling several plot-lines of varying importance and it it's a testament to his skill as a storyteller that he constantly kept me invested in what would happen next, no matter whether the focus was on Michael, Hector or any other character.
Speaking of characters, all the ones introduced in season 1 are back for this round (except for those who died during the course of that season's events) and several of the old characters, who only had walk-on roles in the first season, get fleshed out in this one. New characters are also introduced, among the more interesting are Bill and Joe, a couple of old-timers, who set out to avenge the death of an old friend (said friend was mentioned briefly in the first season) at the hands of the most powerful man in the city. Another memorable new introduction is the affably evil, bunny hit-man, Walter Lipoda.

As for Reutimann's artwork, I can't think of much to write about it. It continues to be very appealing to look at, and suits the overall tone of the comic very well, in my opinion.

Do I have anything negative to say about District 14's second season? Well, maybe there's the fact that at it ends with several plot-threads still left hanging. That said, I enjoyed my second visit to the District immensely and am looking forward to the upcoming third season.

My Name is Red

One of my favorite novels is The Name of the Rose by Umberto Eco. For those of you not familiar with this novel, The Name of the Rose is a murder-mystery set in an Italian monastery in the 14th Century. The novel was also adapted into a really good movie starring Sean Connery as its mystery-solver, William of Baskerville.
Why am I mentioning this? You wonder. Because I recently read My Name is Red, by Turkish author and nobel laureate Orhan Pamuk and during my read of this novel, I was frequently reminded of Eco's masterpiece.

My Name is Red takes place in Istanbul in the year 1591. The Sultan Murad III has secretely commissioned an illuminated manuscript drawn in the new Venetian Style, a blasphemy in the eyes of many Muslims, particularly religous fundamentalists such as Hoja of Erzurum. As the novel begins, one of the miniaturists who worked on the manuscript, Elegant Effendi has been found murdered. Soon, the master of the miniaturists, Enishte Effendi is killed as well. Enishte's daughter, Shekure enlists the miniaturist known as Black to find her father's killer. If Black succeeds, Shekure will give him what he has always longed for: Her hand in marriage. However, it soon becomes clear that the murderer is one of the miniaturists himself.

From this short and limited glimpse of the plot, I'm sure that you, dear reader, can understand why I was reminded of The Name of the Rose. Both it and My Name is Red are essentially murder-mysteries set by a historical backdrop, with faith playing an important part in the proceedings. However, this doesn't mean that Pamuk has copied Eco (for all I know, Pamhuk may not even have read The Name of the Rose). The differences between the two novels far eclipse any similarities the two may share.

Take the setting for one: The Name of the Rose takes place entirely in a monastery and its surroundings. My Name is Red takes place in a bustling metropolis, the very heart of the Ottoman Empire. Another difference is the amount of narrators. Eco's novel features one narrator, the young monk Adso, who plays the Watson to William of Baskerville's Sherlock Holmes. My Name is Red features a different narrator in each chapter and what a plethora of narrators it is, dear reader. Aside from the obvious ones such as Shekure and Black, we also get to hear from the dead Elegant Effendi, his murderer and many others. Some of the narrators aren't even human; a dog, a horse, a coin and even Satan himself are among those who get to share their opinions and view-points with the reader.

My Name is Red is a work of great richness, I found it to be a fascinating read and will definitely check out more of Orhan Pamuk's work in the future.