Habibi by Craig Thompson

Before reading Habibi, the only work of Craig Thompson's that I was familiar with was Goodbye Chunky Rice, his debut comic, which I read when I was in fifth grade (or maybe sixth, my memory is a bit vague). As for Thompson's later comics, such as Blankets, at the time they came out, they didn't seem like the sort of thing I'd be into, so I never paid much attention to them. Habibi, on the other hand was a comic that had me intrigued from the moment I became aware of it and recently, I finally got around to read it and without giving too much away, I only wished I had read it sooner.

Originally published in 2011, Habibi is set in a fictional Middle-Eastern land. It is here that we meet our main characters; Dodola and Zam, refugee child-slaves, who have made a home for themselves in a ship, stranded in the desert. Dodola, the older of the two by nine years, takes it upon herself to act as a surrogate-parent to Zam, nurturing him and teaching him to read and write. Life is harsh, however and eventually, Dodola sees no other option but to prostitute herself to the passing caravans in exchange for food and other things she and Zam need to survive. One day, Dodola vanishes and Zam, having learned what his caretaker had to go through and feeling wracked with guilt, sets out to find her.

Stretching across six-hundred pages, the story of Habibi is truly epic in scope, allowing Thompson to show what a truly gifted storyteller he is. The story does not unfold in a linear fashion, but jumps back and forth in time and as it does, the reader is treated to new revelations about the characters and the world they inhabit. Dodola and Zam are both very engaging protagonists, particularly the former, who ranks among my favorite female leads in any work of fiction. The author does a great job making us root for these two and hoping that they and the love they share will prevail, allowing them to overcome the many horrible things they have to endure during the course of the story and find happiness.
Religion plays an important part in Habibi. When they were children, Dodola would tell Zam stories from the Quran. These stories are woven into the main plot, much like the stories-within-stories, seen in such works as Potocki's The Manuscript Found in Saragossa and, of course, The One-Thousand and One Nights. While not a religious person myself, I did find the way Thompson would compare and contrast the stories found in the Quran with their counterparts from the Old Testament (such as Abraham's sacrifice of his son) to be interesting.

The richness of Habibi's plot is matched by its art, which is some of the best black-and-white artwork I've ever seen. Apparently, it took Thompson six years to complete and I can definitely see why. Inspired by Islamic art and calligraphy, there are panels and pages here so intricate, that a reader can find themselves lost in them.

Habibi is well deserving of the praise that it has received over the years since it was first published. Craig Thompson has crafted an astonishing masterpiece, one which belongs on any list of great comics.